meet the mag: honey punch

Since the relaunch of Decaf, I have made a big deal out of creating a community within the walls of Decaf, focusing more on awareness and highlighting talent than competition.  Within the online publication community, there are so many talented creators and sites that really aren’t getting the attention I think they deserve. Because of this, I’ve decided to start the “Meet the Mag” series as an opportunity to get to know the people behind some of my personal favorite publications and get their insight into a business I still consider myself a noob in.

What better way to start this love fest than with Honey Punch. Run by sisters Liz and Emma, the mag focuses on music they love and the people behind it. Full of striking images and simple, yet personal interviews, Honey Punch is the perfect site for music lovers of all kinds

I recently had the opportunity to check in with Emma and Liz to learn more about what goes on behind the scenes at Honey Punch

For anyone who has never heard of Honey Punch, what’s your elevator pitch?

Honey Punch is a music publication that run by two sisters and based out of Tulsa, Oklahoma! This is our platform to be real about music and the music industry. Here, we want to focus on the people who make music, the people who work around music, and the people who simply love it.

    Where did this idea come from? Why not just join someone else’s collective or magazine?

We actually both contributed to other music publications for over a year before starting our own! While it was great for gaining experience, it just wasn’t for us. It was tricky doing work for people that didn’t see things the same way you did. It was a lot of pretending to like music we really didn’t like in hopes of getting on editor’s “the good side” and hopefully being able to shoot an artist we really liked or write an album review for a band we totally backed. After a while, we sort of just asked ourselves, “What are we doing? Let’s be our own bosses!”

What sets Honey Punch apart from other music publications?

One reason we started Honey Punch was to be genuine and real about music. We aren’t trying to be The Rolling Stone, or use the biggest words in the dictionary, and we sure as HECK will use as many exclamation points as we want!! We want to share music the way you share music with your best friend, not your boss.

What message are you trying to convey with your mag?

We don’t have an ~official~ message, but we just want to share what we love and encourage other people to do that, too. We are also really want to encourage other females who are interested in careers or hobbies within music to pursue it! We also decided to add a team of creatives from around the US and some from across the pond because we wanted to work with other like-minded people and give them an opportunity to share their work!

How has starting Honey Punch impacted your lives?

For both of us, it’s really upped our communication game. Whether it’s communicating with each other, our team members, press/publicity people, or just our readers, it’s been a great learning experience and we can definitely lean these skills for the rest of our lives. It’s also been kinda like getting a new pet- you’re super excited to get one and then 3 days in, you’re like “Welp…this thing can’t just take care of itself!” So since we started, our publication is something we are working on literally every single day, theres no breaks format! It can be overwhelming sometimes, but its become an important part of day to day life now.

What have been some of the most rewarding moments in since starting up the mag?

Some of the most rewarding moments have been being able to interview/cover shows for bands we’ve been listening to for years and really getting to know them. Another cool/rewarding thing is the fact that we’re gradually starting to make a name for ourselves around Tulsa and the cities our contributors are in!

What’s a roadblock you wish someone else would’ve warned you about?

How bad it sucks to be stuck! Some points we’ve been at, we just feel very “blah.” Maybe there aren’t a whole lot of shows coming up or we don’t have anything super exciting to post about. When we get to those points, we really have to dig and get those creatives juices flowing so we can get pumped up again!

Where do you hope to see yourself and the mag in the next month? year? 5 years? Any cool plans we should know about?

We’re planning to add new sections including art, film & fashion – so in the next month we hope to see our following and community expand! A year from now we hope to have an active solid game plan of getting out magazine prints bi-monthly, and to be collaborating with more publications we look up to.

5 years from now, we hope to be able to cover much bigger acts (AHEM HARRY STYLES). It’s a dream of ours to spend a day with one of our favorite artists/bands, get to know them and document our day. It might be a stretch, but we think it’d be so cool to maybe go to their home/creative space to get a better feel for the  environment they’re in and hear stories you probably wouldn’t hear in any ole pre-show interview. We’d love to turn this idea into a documentary, too! Maybe individual ones or one big project full of these experiences with multiple artists/bands. Another thing we hope to do in 5 years time is to be working with a band, maybe one who’s just starting out, and document as much as possible within the time of them writing/recording an album, to the time of touring. We’d love to work on a documentary that focuses on the work that goes unseen, and focus largely on the fan base they gain.

And now, what this whole thing’s about. What have you guys been reading? What are some publications, artists, or collectives that you feel need more attention?

The past 2 years we’ve been really interested in the magazine Local Wolves and can definitely say it helped inspired us to start our own publication! It sort of showed us that a publication can be like a community that’s fun and is always keeping people excited for what’s next in music culture!

Some artists/bands Liz is loving RN:

The Young Vines, Molly Burch, Elder Island, Jaws of Love. (Solo project by Kelsey Ayer from Local Natives!!), also, Wolf Alice isn’t new/unknown but HOT DANG I’m so feeling their new single ”Beautifully Unconventional” and have listened to it at least 30 times a day !

And Emma: Coloring, Tom Odell, Fyfe, BANFF, Hein Cooper and Sam Fender

Any final pieces of wisdom?

Emma: Some words of wisdom for anyone wanting to start their own publication would be to 1. keep your ideas fresh and plan ahead!  2.Stay persistent with updating your site and social media! It is always really important and helps a lot with creating a good connection with your followers.

Liz: BE YOU! DO WHAT YOU LOVE!!! Don’t let people bring you down, and don’t try pulling others down, either. Remember that other people or publications aren’t competition! We’re all in this together, so do what ya can to support each other!!

Be sure to keep your eyes on Honey Punch and thank you again to Emma and Liz for chatting with me!

the september playlist

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For some good vibes and even cooler people, be sure to check out this month’s playlist, and like always, let us know what your favorite songs have been this month.

 

Seashore // The Regrettes

I Wear Glasses // Mating Ritual

American Dreamer // Kyd the Band

Seventeen // Peach Pit

Blow Your Mind (Mwah) // Dua Lipa

Girl // Jukebox the Ghost

I Can’t Stay // The Killers

Don’t Kill My Vibe // Sigrid

Come // Jain

Broken // LovelyTheBand

it’s good to be back

So, it’s been a little while. Yes, I know this isn’t even close to the first time I’ve said this, and I’m sure it won’t be the last. But, nevertheless, it feels good to be back.

I’ve taken the last few months to really think about what I hope to gain from Decaf. For a while I felt very boxed in by the guidelines I had set myself. I had become so immersed in the idea of gaining momentum and being the voice others wanted to read that I got bored and began to lose myself. I knew I wouldn’t be able to keep up at this pace and needed to just step back and rethink my game plan.

I love writing. I kind of always have. But in an effort to constantly be pumping out content and reaching new audiences, it became a chore, something I set aside, like my calculus homework. Really, that’s just not acceptable for me. This website is not my job. I don’t make any money from this right now. It’s a passion project, an outlet, a way to share my voice with the world, and I think I lost sight of that a bit.

So,  I took a break. It wasn’t exactly planned and I really didn’t think it would last long, but after a while, I wondered if I would even come back.

Then, it happened.

I finally got sick of people telling me to shut up about what I’m passionate about. Whether it’s a new TV show, the latest album, or a person I have a massive friend-crush on, I have a lot of love to spread. And since my friends don’t want to hear about these things anymore, I figured now is as good of a time as any to revamp my outlet.

Throughout the time I’ve spent working on this site, its purpose has shifted and grown along with myself, and will probably always continue to do so. But for now, I want to have a space that’s personal and full of awesome shit I think everyone needs to check out. Of course, if at any point you think there’s something I’m missing out on, feel free to send me a message on instagram, twitter, or through the contact form. I want this to be a conversation more than ever.

Decaf is bold, passionate, diverse, and creative. Decaf is you and me.

And most importantly, Decaf is back.

“Praying”: The Return of Kesha

by Nick Wilmer 

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Four years since the release of her last effort, the EP Deconstructed, Kesha has finally returned with new music.

“Praying”, a piano laced, rock inspired ballad, takes the singer-songwriter into a new direction. Its lyrics, which speak of searching for a sign from God to keep living, are the most powerful from any of her singles. Her vocals are at the forefront, stripped of the auto-tune associated with her earlier hits.

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Aside from features on “Timber”, a number one hit by Pitbull in 2014, and “True Colors”, a dance hit by Zedd in 2016, Kesha has taken almost half a decade to release new material. This is due to a legal dispute between the singer and her former producer Lukasz Gottwald, professionally known as Dr. Luke, who she claims mentally and sexually abused her. The purpose of the suit is to null the contract she signed early in her career to only release solo music through Luke’s label Kemosabe Records, formerly a Sony imprint. The label is credited on the bottom of the song’s Spotify page, so the suit seems to have still not gone in the singer’s favor.

Despite this, Kesha sings that she will fight through her hell. If “Praying” proves anything, it is that she has only gotten stronger.

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“Praying” is out now on AmazonGoogle Play, Spotify, iTunes and Apple Music. The music video is also available on YouTube.

Its parent album, Rainbow, is due August 11, and is set to feature Dolly Parton and Eagles of Death Metal.

Harry Styles’ New Direction

by Nick Wilmer

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After five years as a member of the phenomenon that is One Direction, Harry Styles released his highly anticipated debut solo album, Harry Styles, on May 12.

The lead single, “Sign of the Times”, shocked audiences around the globe. Who would have expected one of the decade’s biggest pop acts release a glam-rock inspired ballad, aside from his hardcore fans? Clocking in at five minutes and forty-two seconds, it is also one of the longest songs to receive massive radio airplay in recent years.

Other tracks were surprising too. “Two Ghosts” is a beautiful country ballad, and “Kiwi” is a dance-rock song that sounds like an old Rolling Stones brought back to life. Other tracks, like “Sweet Creature”, are reminiscent of 1D’s more recent, indie pop inspired work.

For the first time in his career, Styles has co-written every track off this album, and it shows; the songs feel more raw and personal than his past projects. It feels like a sign of an artist coming into his own.

Each track deserves to be there. In an industry where executives ask artists to focus more on the singles, and just add fillers for the rest of the album, Styles has made sure that his first solo project would be good, even great, from start to finish.

Decaf Magazine gives the album 4 out of 5 stars.

Styles’ new album is available for purchase or streaming here.

Let us know what you think about the album in the comments.

Last Week in Mainstream

by Nick Wilmer

On Monday, Billboard announced the nominees of their 24th annual Billboard Music Awards. Drake leads with 22 nods, followed by Twenty One Pilots with 17, Rihanna with 14, The Weeknd with 13, and Beyoncé with 8. The show will air on May 21 on ABC.

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Tuesday brought two shocking announcements, with Kendrick Lamar and Lana Del Rey revealing the covers of their new albums. Del Rey’s Lust for Life is reminiscent of a ’70s Dolly Parton cover, with flowers in Del Rey’s hair as she smiled to the camera, a first for her regarding her artwork.

Lamar’s Damn cover art was the polar opposite, with him appearing seemingly irritated in both photos, and bowing his head in one. One photo also revealed the track listing; the album will feature his latest single “Humble”, which just debuted at #2 in the United States, and collaborations with Rihanna and U2.

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Miley Cyrus’ last album Miley Cyrus & Her Dead Petz was also made available on iTunes and all streaming services on Tuesday, after nearly two years of being a Soundcloud exclusive. Cyrus was seen leaving Spotify headquarters last month, so many of her fans are speculating that this was a way to help anticipate an upcoming release.

Nearly three months after the release of Major Lazer’s “Run Up” featuring Nicki Minaj and PARTYNEXTDOOR, the music video for the single was finally put out.

On Thursday, former One Direction member Harry Styles revealed the title, release date, art work, and track listing of his upcoming debut solo album. It will be a self-titled record, set to be released on May 12th, and will feature his first solo single, the David Bowie and Queen inspired “Sign of the Times”, which reached number one in the United Kingdom in its first week. The album was made available for pre-order later that day.

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Lamar’s highly anticipated fourth studio album Damn was released on Friday. His third, To Pimp a Butterfly, was one of 2015’s most acclaimed and best selling LPs, and fans have been waiting for new music since. Despite only being out less than two days, it has already received rave reviews from critics.

Last night, on NBC’s Saturday Night Live, Styles performed for the first time as a solo artist.

 

This Week in Music History:

Tuesday marked the 17th anniversary of the release of Britney Spears’ music video for “Oops!… I Did It Again”, and the 12th anniversary of the release of Mariah Carey’s album The Emancipation of Mimi.

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This Week in Mainstream 

by Nick Wilmer 

Last Sunday, the family of Christina Grimmie, a singer-songwriter and contestant on The Voice who was tragically murdered last summer, released an animated music video to “Invisible”, the lead single from Grimmie’s upcoming posthumous album. The video was a beautiful tribute to Grimmie, as it depicted her as a super hero.


Taken from YouTube.

On Sunday, BADBADNOTGOOD released the music video for their song “Lavender” ft. Kaytranada and Snoop Dogg (Nightfall Remix). The video has caused controversy for a scene where Snoop Dogg attacked a Donald Trump look alike. The rapper has now joined the likes of Madonna, Green Day, YG, Marilyn Manson, and other popular artists using their platform to take a stance against the Trump administration. Decaf Magazine will not show Trump’s response as anyone with Internet access has an idea of what Trump tweeted.


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On Monday, Lady Gaga teased new music by posting that she was working in the studio again, just months after her releasing her latest album, the classic rock and country inspired Joanne.

On Monday, it was announced that Jordan Peele’s Get Out made $100 million so far at the box office, marking the first time a black writer-director’s debut feature film has made $100m.

On Monday, MTV announced that the Movie Awards would be the Movie & TV Awards from now on.

“We’re living in a golden age of content, and great storytelling and characters resonate regardless of whether you’re watching it in a theater or on TV,” said Chris McCarthy, the president of MTV. “The new ‘MTV Movie and TV Awards’ will celebrate even more of the brightest, bravest, funniest and most shared films and TV shows resonating across youth culture.”

On Monday, Billboard announced that Rihanna’s “Love on the Brain” has become her 22nd top 5 hit in the United States, breaking her fifth-place tie with Elvis Presley for the most top 5 hits. Not yet 30, the superstar is likely to break the records set by The Beatles, Madonna, Mariah Carey, and Janet Jackson and have more top 5 hits than any other artist.

On Tuesday, Billy Ray Cyrus, country star and father of Miley Cyrus, teased his daughter’s new music on social media. “@MileyCyrus Excited to hear more of the new stuff” Cyrus tweeted. He later deleted the post.


Photo via Billy Ray Cyrus’ Twitter.

On an unannounced date, Selena Gomez started the Selena Gomez Fund for Lupus Research with the Keck School of Medicine of the University of Southern California (USC) to help find a cure for the chronic inflammatory disease.

On Friday, Disney’s much anticipated live-action remake of Beauty and the Beast was finally released in the U.S.

This week in popular music history:


Taken from YouTube.

Cher’s influencial song “Believe” hit #1 in the U.S. It is one of the first hit songs where a singer used Auto-Tune, leading to many nick naming the technique as the “Cher effect”.

Going Back to the Wilderness

(Photo Via @amnthewilderness on Instagram)

Andrew McMahon is a man of many names. Few will know him as a member of the band Something Corporate, some as the frontman of Jack’s Mannequin, but buy and large, most will know him as himself, possibly with “in the Wilderness” tacked on the end.

McMahon has been present in the music industry for over fifteen years, though his latest project began in 2013 with The Pop Underground EP, his first release under the moniker Andrew McMahon in the Wilderness. The self-titled full-length album came later in 2014, brandishing his most well-known single, Cecilia and the Satellite. 

Following a tour with alternative staples, Panic! at the Disco and Weezer in the summer of 2016, McMahon released his newest album, Zombies on Broadway in early February.

Out of all of the bands and albums I’ve reviewed so far, I strongly feel that this is going to be the album that will most please the masses. While most of the artists I’ve covered have had very specific sounds that just may not be for everyone, the heavily pop-influenced melodies and slightly manufactured sounding instrumentals make this record radio ready.

From the more mellow tones of Birthday Song, to the quick rhythm of Walking in My Sleep, you’d think there would be some sort of disconnect between the songs, yet somehow, McMahon has created an incredibly fluid sound that makes each song sound just like it came from this album. I’ve found myself most strongly drawn to Don’t Speak for Me, So Close, and Island Radio simply because I’m a sucker for a good riff and a catchy melody, though I really don’t think you can go wrong.

Compared to his previous album, Zombies on Broadway has a much more mature sound and really has shown the growth of McMahon as an artist. I do miss a bit of the dreaminess the first album had, though that’s really the only criticism I have for this release.

While it’s difficult to compare this album to anything, I would recommend Andrew McMahon in the Wilderness for fans of the Wombats and Bleachers, or really anyone who is in need of some great pop music.